Tuesday, December 16, 2008

The kora invasion

In San Francisco the kora, my favorite instrument these days (indeed for the past few years) has made its beachhead, I'm pleased to report. Here's the album Calabashmoon by Daniel Berkman on magnatune.com.

Calabashmoon by Daniel Berkman

Wednesday, November 19, 2008

A wobbly bridge - part 6

What a difference a week makes! Lots of information has come out in the NTSB board meeting last Thursday and Friday. Also I attended a presentation given by Prof. Roberto Ballarini tonight at the University of Minnesota.

Four thoughts now -

  1. It's clear the U-10 gusset plates failed due to the load. The gusset plates should have been thicker. As it was, the safety factor was only 1. (That's the ratio of the load that can be supported to the load that is actually being supported.) It should have been 2. The bridge had been sitting on the verge of failure for years.

  2. I asked Prof. Ballarini a question at the end of his talk. I mentioned the reports that the bridge had been wobbling in the days leading up to the collapse. I asked if such wobbling could have been an indication of imminent collapse. He thought that was a good question. From his response, it sounds like there could indeed have been wobbling in the days before the collapse, related to the loss of elasticity in the gusset plates.

    As I wrote August 11, 2007, "When a bridge starts wobbling, best not to ignore it." Get people off wobblers.

  3. Someone has lied about whether or not there were sparks flying between the work crew and MNDOT about mixing concrete on the bridge, either the people involved or the short grapevine. The stories are at odds.

  4. Concrete was being mixed on the bridge and had been for days. Heavy ingredients, sand and gravel for making concrete, were in piles on the road above the U-10 gusset plates. This concentrated load was the straw that broke the camel's back, or perhaps the lead pipe.
Version 1.2

Sunday, November 16, 2008

A wobbly bridge - part 5

The NTSB hearings took place this Thursday and Friday. I watched online on Thursday. In the final hour that first day, Acting Chairman Mark Rosenker asked twice what was different that day, the day the 35W bridge collapsed. Three people mentioned the load. No one mentioned the motion.

I wrote an email to one of the board members with the question,

Was the mobile concrete mixer mixing concrete ON the bridge instead of OFF the bridge, in defiance of MNDOT?
The board member emailed me back that he had asked the question right after lunch on Friday, to which they had replied that
there was no concrete mixing at all going on at the time or immediately before the collapse. [emphasis added]
I am grateful that the question was asked.

Questions though remain. In response to an editorial today in the Minneapolis Star Tribune Lessons from a doomed bridge, I asked,
In the days leading up to the collapse, did the bridge wobble unusually and increasingly?

In the days leading up to the collapse, did the mobile concrete mixer mix concrete on the bridge instead of off the bridge?

Was mixing concrete on the bridge forbidden by MnDOT?

Did a MnDOT employee tell the crew not to mix concrete on the bridge in the days before the collapse?

Did the crew use a low slump concrete which must be laid and screeded within 15 minutes of being mixed? If so, did this prompt them to mix it on the bridge to save time?

Was the U10 gusset plate underneath the mobile concrete mixer at the time of the collapse?

Was the U10 gusset plate weakened by the repeated motion of the mixing, if such mixing took place?

Did the truck next to the mobile concrete mixer hold unmixed ingredients for concrete?
Why do I keep asking? It must be the influence of my godfather, Jim MacInnis, who was a lawyer in San Francisco.

Version 1.0.1

Update (Nov 16, 2008, 5:09 pm Central): More questions, simply about the load -
What was the total load on the bridge that day?

How much of it was piled or parked above the U-10 gusset plate?

What percentage of that load would have been safely off the bridge and not concentrated at that point, balanced on or off center, had the crew mixed the concrete off the bridge instead of on the bridge, if indeed they did mix it on the bridge?
According to the New York Times, NTSB reported in March that the total load on the bridge was 630 tons that day.

MPR reports,
On the day of the collapse, 270 tons of construction equipment and material sat piled just above the bridge's weakest spot. [emphasis added]
The Minneapolis Star Tribune reported that the NTSB released documents in March noting that more than 192 tons of sand and gravel had been loaded onto the bridge. Is that how much there was at the time of the collapse?

Was the sand and gravel used for making concrete?

Update (Nov 16, 2008, 8:10 pm Central):
Here's a presentation to NTSB which has some answers -

Construction Activity & Traffic Conditions on I-35W Bridge
by Robert Accetta.

Total load (over the entire bridge) - 630 tons
Construction materials and equipment load (near U-10) - 289 tons
Construction materials load (near U-10) - 192 tons

The piles of sand and gravel were directly above the U-10 gusset plate. It's still unclear exactly where the mobile concrete mixer was. Did it pull up next to the piles in the second lane?

Update (Nov 16, 2008, 8:40 pm Central):
Here is another of the presentations -

Bridge Description and Collapse
by Jim Wildey

It includes an image depicting the initial failure of the U-10 gusset plate. It appears both the west and east plates failed simultaneously.

Friday, September 26, 2008

A silly poem

There once was a land
with laws as the sand,
that you can, some,
and some that you can't.

You can't and you can
You can and you can't,
Heigh ho,
You cannot; yes, you can.

What? Innocent, you say?
Let me sift through the sands
Yes, you are-- wait,
No, I see you are not.

You aren't and you are,
You are and you aren't,
Heigh ho,
You are not; yes, you are.

Why do you so pause
In this land of so much
Go and do... (gasp)
How dare you? (gasp) To think!

So much to do; wait!
Do it now, how dare you?
Heigh ho,
Don't you dare; (gasp) do it now.

Wednesday, July 30, 2008

A wobbly bridge - part 4

I came across evidence today that the mobile concrete mixer was mixing concrete on the bridge at or near the time of the collapse of 35W. Naughty, naughty, naughty, reportedly.

Today after reading the Minneapolis Star Tribune cover-page story on the latest NTSB report regarding the L11 gusset plate, I found an excellent collection of stories about the people on the bridge that day, exactly a year ago this Friday, 13 Seconds in August: the 35W Bridge Collapse. It opens with a video of the collapse, after which a virtual camera pans over the length of the collapsed bridge, captured in one long photo. Each vehicle or person's location on the bridge is marked in the photo with a circled number. Clicking on the numbers brings up information on the people and the vehicles. For some there are videos, for others photos. Some only have a bit of text. For two construction vehicles, there is only text.

32 - Construction vehicle
          Truck that held dry ingredients for concrete

33 - Construction vehicle
          On-site concrete mixer
If the report on vehicle 32 is true, is this not evidence that the concrete mixer was still mixing concrete on the bridge?

According to an unconfirmed report at a jazz concert, the concrete mixer was a mobile concrete mixer and for a reason.

Saturday, July 12, 2008

No need for words

Where the Hell is Matt? (2008) from Matthew Harding on Vimeo.

Saturday, June 28, 2008

Wall-e and MAD magazine, issue #1

Wall-e is the movie of the year. It's a charming animation from Pixar with depth and humor. You might even read into it some criticism of American militarism (along the lines of Chalmers Johnson or Andrew Bacevich), and American apathy, and our return from the American detour, maybe... I happened to have recently read the first issue of MAD magazine (Oct-Nov 1952). There's a connection. In part, Wall-e's a takeoff on the cover story Blobs, a more hopeful version. Most any afficionado of MAD magazine would recognize the historic cover of that first issue. The characters on that cover are frightened by something. In fact what they're reacting to is one of the blobs, who are futuristic human beings powering around in reclining chairs, just like in Wall-e. There's also the science-fiction short story The Machine Stops (1909) by E. M. Forster, which I haven't read yet, but from which it appears Blobs was adapted.

Version 1.1 - Jun 29 2008

Update (Jun 29, 2008): I listened to a recording by Jenna Lee (Part 1) and Erin Tivano (Parts 2 and 3) (sp?) of E. M. Forster's The Machine Stops (1909), a powerful story for a denizen of the next century, this century. It's a parable of language untethered. It's a warning to us, uncanny for its prescient description of the internet, not to rely solely on words built on words, drifting about abstractly, uncontested by "direct experience." Only by grounding our language in meaning, our economics in choice, our politics in rights, our government in transparency, our news with facts, can we hope. It's the story of something deep in our makeup which survives, which surmounts the nonsense we are born into.

Impressed, I've bought E. M. Forster's Aspects of the Novel (1927).

Update (Jun 30, 2008): Here's an adaptation of The Machine Stops from 1966 on BBC -

Tuesday, June 24, 2008

Japanese Chamber Music

My friend from high school, Philip Flavin, is playing the Shamisen.

Laura Harley and the Eclectic Edge Ensemble

I recorded this video with a Flip on Saturday at the Eclectic Edge Ensemble annual fundraiser and posted it with my friend Laura's permission. Isn't her voice amazing? This is my favorite song of hers.

After Laura's show, the Eclectic Edge Ensemble kicked into action. I particularly liked their last jazz dance, The Juggler. I'm looking forward to seeing their full show at the Ritz Theater July 17-20, 2008.

MySpace - Laura Harley

MySpace - Eclectic Edge Ensemble

Update (Jul 3, 2008):
I've made 8 more songs from Laura Harley's performance available online with her permission.